Toronto Symphony Orc...
03/12/20 12:25
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Toronto Symphony Orchestra, Peter Oundjian & Jan Lisiecki

Smetana / Schumann / Bartók

Programme

  • Bedřich Smetana: Prodaná nevěsta: předehra k opeře
  • Robert Schumann: Koncert pro klavír a orchestr a moll op. 54
  • Béla Bartók: Koncert pro orchestr

Performers

  • Toronto Symphony Orhcestra
  • Peter Oundjian - dirigent
  • Jan Lisiecki - klavír

Price

350 - 1900 CZK

Date

03 / 12 / 2020
Thursday 12.25

 

“He may be young but Jan Lisiecki plays Schumann like a legend.” (Classic FM)

The phenomenal Canadian pianist Jan Lisiecki first thrilled the public with a performance of Schumann’s Piano Concerto in A minor Op. 54 in 2013, when he made his debut at the famed BBC Proms. And this was also the concerto that he included on his third album, published in early 2016 on the prestigious Deutsche Grammophon label. That recording, on which Lisiecki is accompanied by the Orchestra dell’Accademia Nazionale di Santa Cecilia under the baton of Sir Antonio Pappano, has received enthusiastic reviews from critics all around the world. It appears that the Schumann Piano Concerto is playing an important role in Lisiecki’s brilliant career. The many successes he already has to his credit are increasing the eager anticipation of his Prague Spring debut.

Robert Schumann (1810–1856) composed his only piano concerto between 1841 and 1845. The composer, whose promising career as a concert pianist had been ruined by the injury of a finger on his right hand, wrote the concerto for his young wife, the outstanding pianist Clara Schumann, who premiered it in January of 1846. The first movement, which begins with a lovely, lyrical theme in A minor, had already been composed in 1839 as the Phantasie for Piano and Orchestra, but at his wife’s request, Schumann added the second and a third movements, which are played without a break, so the romantic melody of the Intermezzo gives way to an energetic finale in triple meter. Because virtuosity is kept in the background deliberately, the work is more of a vast musical poem than a concerto in the traditional sense of the word, and in it the passages for piano solo are amazingly integrated with the orchestral accompaniment.

The evening’s programme opens with the stirring overture to the opera Prodaná nevěsta (The Bartered Bride) by Bedřich Smetana (1824–1884), a piece that demands extraordinary virtuosity from all of the sections of the orchestra. The conductor Karel Ančerl was fond of performing the piece. The present principal conductor of the Toronto Symphony Orchestra chose the work in reference to the dedication of the concert to Ančerl, who was at the orchestra’s helm from 1969 to 1973. The Concerto for Orchestra by Béla Bartók (1881–1945) is one of the most frequently played and recorded orchestral works of the twentieth century, and rightly so. Like the overture to The Bartered Bride that opens the concert, the closing work on the evening’s programme places demands of the highest order on the orchestra.

Although Jan Lisiecki, a native of Calgary, Canada, just celebrated his twenty-second birthday this year, his career has earned him considerable respect. A winner of a number of awards (Diapason Découverte, Jeune Soliste des Radios Francophones, Leonard Bernstein Award), he has given recitals in Carnegie Hall and Wigmore Hall. He has made solo appearances with orchestras including the Orchestre de Paris, the New York Philharmonic, and the BBC Symphony under the baton of such figures as Sir Antonio Pappano and Pinchas Zuckermann, who said of the young pianist: “A talent like this comes two or three generations apart!” He also had the opportunity to demonstrate his talent in March of 2013, when he readily stood in for Martha Argerich at the Bologna Festival, playing Beethoven’s Piano Concerto No. 4 under the baton of Claudio Abbado. Since 2012 he has been recording regularly for the prestigious Deutsche Grammophon label, and in 2009, the Canadian Broadcasting Corporation made a documentary about him with the title The Reluctant Prodigy.

 


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