An evening during which the Grammy Award holder and Prague Spring Artist-in-Residence 2026 is reincarnated into pagan goddesses from the Finnish epic Kalevala in a work by John Zorn.
Artist-in-Residence of the Prague Spring 2026 Barbara Hannigan is one of the most original figures in the sphere of classical music. With her typical courage and determination she sings and also conducts, she inspires the finest contemporary composers in their endeavours, and she creates unique projects which go far beyond the customary concert experience. Born in Canada, she has performed the premieres of more than one hundred works. She collaborates with some of the world’s most distinguished conductors and orchestras, including the Berlin Philharmonic. She is Principal Guest Conductor of the Gothenburg Symphony Orchestra, she holds the positions of Associate Artist of the London Symphony Orchestra and the Première Artiste Invitée of the Orchestre Philharmonique de Radio France, and in the autumn of 2026 she will take up her post as Chief Conductor and Artistic Director of the Iceland Symphony Orchestra. Her exceptional artistic achievements are moreover reflected in a number of prestigious awards, among them a Grammy Award, the title Artist of the Year from Gramophone magazine, and the Polar Music Prize 2025, a Swedish international award established by music publisher and manager of ABBA Stig Anderson, which she won together with jazzman Herbie Hancock and the rock band Queen. Her Prague Spring residency will consist of four concerts.
The first concert will be a joint recital given by soprano Barbara Hannigan and superb French pianist Bertrand Chamayou. “After both European and North American tours I am thrilled to be able to introduce the Czech audience to this very spiritual programme,” says Barbara Hannigan. Prague concertgoers will thus finally be able to hear the utterly unique cycle Jumalattaret by American composer and multi-instrumentalist John Zorn (*1953). These songs, originating in 2012 as a musical setting of fragments from the Finnish national epic Kalevala, were long considered unsingable. Here the singer is reincarnated into Finnish pagan goddesses; “each measure is a minefield of intonation and technique” (The New York Times). This work, whose performance actually takes your breath away, is fascinating for the incredible vocal range it requires, from incredibly high top notes to throat-singing, ethereal humming, whispering, laughter and a voice that vibrates like birdsong. “It’s one of those pieces that was life-changing,” Barbara Hannigan declared of Jumalattaret. “You’ve got to tame the wild horse and get a saddle on it,” she said. “This piece took a lot for me to be able to do that.” Jumalattaret is such an astounding work that to hear it performed live by the Hannigan – Chamayou duo will undoubtedly be one of the highlights of the Prague Spring 2026. Moreover, not only will this be the first performance of Jumalattaret in the Czech Republic, but also the Prague Spring debut of Barbara Hannigan.
The recital programme will open with Chants de terre et de ciel (Songs of Earth and Heaven) by Olivier Messiaen (1908–1992), which this classic of 20th century French music wrote to his own texts. The cycle originated in 1938, inspired by the joyous birth of the composer’s son Pascal, to whom two of the six songs are dedicated. “The superb projection of Hannigan’s voice and the rainbow of colours in Chamayou’s piano lay bare the sexual desire and religious fervour prevalent in Messiaen’s early works,” wrote Britain’s The Guardian in a review of their joint recording of the songs. The two artists have already performed Chants de terre et de ciel in Berlin, Paris, New York, Brussels and other major world venues, and it’s wonderful that Prague listeners will have the opportunity to hear the cycle as well.
Creating a bridge between these two song cycles, Bertrand Chamayou will perform two works for solo piano by Russian musical mystic Alexander Nikolayevich Scriabin (1872–1915). The piece Poème-nocturne Op. 61 from 1912 is reminiscent of a fleeting image, of a state between waking and sleeping. Upon writing it Scriabin declared: “I at last managed to transcend the realm of human emotion.” The second composition entitled Vers la flamme Op. 72 (Towards the flame) is probably the best known piano work from the closing period of his life. According to legendary pianist and leading performer of Scriabin’s oeuvre Vladimir Horowitz, the title reflects the composer’s conviction that a constant accumulation of heat would ultimately cause the fiery destruction of the world. This notion is also suggested by the extreme technical difficulty towards the end of the piece, for whose performance even Vladimir Horowitz had to take off his jacket. Bertrand Chamayou will be another of its sovereign exponents. A regular guest at the most prestigious concerts halls, including the Philharmonie de Paris, London’s Wigmore Hall, Amsterdam’s Concertgebouw and the Salzburg and Lucerne festivals, he returns to the Prague Spring after an absence of four years. His impressive résumé reveals collaboration with first-rate world orchestras and conductors, such as Pierre Boulez, Sir Neville Marriner, Esa-Pekka Salonen, Herbert Blomstedt, Andris Nelsons and Sir Antonio Pappano. The titles in his fascinating discography have earned various distinctions, among them “Recording of the Year 2019“ from Gramophone magazine and the ECHO Klassik Award. Chamayou is also the only artist to have received the coveted French accolade Victoires de la Musique Classique on five occasions.
Barbara Hannigan’s debut at the Prague Spring in collaboration with Bertrand Chamayou offers everything a listener could wish for: virtuosity, spiritual depth, mystery. And it’ll be a superb start to Barbara Hannigan’s remarkable Prague Spring artistic residency.