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Ensemble Inégal

Jan Dismas Zelenka


  • Jan Dismas Zelenka: Gesù al Calvario ZWV 62


  • Adam Viktora
  • Gabriela Eibenová
  • Lenka Cafourková
  • Franz Vitzthum
  • Benno Schachtner
  • Markéta Cukrová - mezzosoprán
  • Ensemble Inégal


150 - 700 CZK


15 / 05 / 2017
Monday 20.00
Expected end of the event 22.00


Rudolfinum – Dvořák Hall


Jan Dismas Zelenka (1679 – 1745) was a Czech Baroque composer, and the revival of his music is literally rewriting the history of Baroque music. He first came to the attention of musicians and researchers through his trio sonatas, which are some of the most demanding works of the Baroque oboe repertoire. It was those pieces that really ignited the present-day interest in Zelenka, who quite rightly tends to be compared with Johann Sebastian Bach because of his boldness and originality. Ensemble Inégal plays quite an important role in the dissemination of Zelenka’s legacy and especially in the performing of his music, not only presenting his compositions regularly on its concerts in this country and abroad, but also making world premiere recordings of his works. The ensemble’s efforts towards new discoveries climax with a specialized festival, which includes a musicological conference, with presentations by the leading figures from the area of Zelenka research.

Jan Dismas Zelenka was an enormously successful musician who enjoyed the recognition of is contemporaries, including Johann Sebastian Bach and Georg Philipp Telemann. He was also a central figure of musical life at the royal court in Dresden, one of Europe’s leading musical centers in the first half of the eighteenth century. It was there that he composed the oratorio Gesù al Calvario ZWV 62 (Jesus at Calvary) for Holy Week of the year 1735. At its premiere, the work was divided into two parts; the first was premiered on Good Friday, 8 April, and the second part was performed the next day. In the libretto by Michelangelo Boccardi, the figure of a “Testa” or narrator is absent and is replaced in the text by characters who portray the action and by a mixed choir. The whole work opens with a French overture featuring a central fugal section framed by a dramatic introduction and conclusion. The main characters – the Virgin Mary, Mary Magdalene, Mary Cleophas, Jesus, and St John – embody the good; Zelenka entrusted the negative emotions to the choir.

Ensemble Inégal is a versatile musical ensemble with a broad repertoire ranging from the music of the Renaissance to contemporary works. It gives concerts at leading Czech and foreign music festivals (Prague Spring, Musica Atiqua Brugy, Oude Muziek Utrecht), and it regularly appears on television and radio broadcasts (BBC, Czech Television, Czech Radio). Its recordings have received several prestigious awards (Diapason d’or, IRR Outstanding, Goldberg 5 Stars et al.). Since 2007, it has been holding its own concert series titled “Czech Baroque Music – Discoveries and Surprises”, introducing its listeners to newly discovered or rediscovered works by Czech baroque composers, with the music of Jan Dismas Zelenka at the forefront.

The organist and conductor Adam Viktora is the founder and artistic director of the Czech Organ festival and the artistic director of Ensemble Inégal and the Prague Chamber Soloists, with which he has given a number of modern-era premiere performances and recordings of the European Baroque repertoire. “The enormous wave of ‘authentic’ performing of early music in the latter half of the last century brought about extraordinary progress. In the last two decades, however, its task has changed greatly. Rather than freedom in the search for values in interpretation, generally very visible representatives of the musical mainstream are coming to the fore, and they are successfully presenting unerringly correct solutions. For this reason, each year Ensemble Inégal presents unknown Baroque music, and it has to its credit so many modern-era premieres of Zelenka because it does not wish under any circumstances to be part of that mainstream, and it is convinced that there is enormous power in music, but only until the moment when fear takes over, dictating proven solutions for interpretation that are guaranteed to be correct, until it uses celebrities just to fill concert halls and make money, or until it relies on proven repertoire that certainly won’t leave one dry eye in the house,” says Adam Viktora, explaining his ensemble’s vision. He appears regularly at music festivals all over Europe, and his great interest in historical organs is accompanied by lectures and concert performances at international congresses. He also serves as an advisor on expert committees for the restoration of important historical organs. He is one of the key figures in the process of the rediscovery of the music of the Czech Baroque composer Jan Dismas Zelenka.


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